BLEEK Invite 004-1

‘BLEEK’ encompasses a number of photographic series that sets out to interrogate the performance of white masculinity from different points of entry. Masochistic violence and self-interrogation are recurring themes in the body of work. Strydom is especially interested in the manner different traditions and contexts are embodied in particular power rituals.

The historically hegemonic position of whiteness makes it difficult to comprehend the notion of a marginal whiteness. The difficulty to articulate a non-hegemonic whiteness often leads to uncertainty and suspicion. A public questioning of whiteness may pose a dilemma since whiteness, even in a postcolonial context, retains its hegemonic status and prestige that might serve to perpetuate what Mohanty calls ‘the white man as spectacle’.

This notion of whiteness as spectacle has led to the artist’s personal interest to examine and make visible the strategies used in the performance of postcolonial whiteness in the South African context.

(Press release)

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